Dual Pixels is an independent editorial site covering the intersection of video games, television, film, and comics. The Digital Crossover, in short — for readers who want their gaming news next to their Pennyworth review.
What we cover
The brief is simple: anything that lives where gaming meets the rest of pop culture. That includes mainstream console news (PlayStation, Xbox, Nintendo, PC), but also comic-book TV adaptations, fighting-game tournaments, voice-actor work, and the way a Final Fantasy soundtrack lands in a Marvel trailer.
The eight standing sections — News, PlayStation, Xbox, Nintendo, PC, TV, Originals, Reviews — track that crossover beat without forcing artificial walls between them.
Editorial approach
Most of what runs here falls into one of four buckets:
- News & release coverage. Patches, launches, store updates, hardware refreshes — written from public sources with citations, never as ghost-quoted scoops.
- Reviews. Games and TV episodes scored on what they actually do, not on what their marketing claims. No early-access access deals, no embargoed influencer drops.
- Retrospectives. Historical leaks, lost games, console launches, and rumors revisited with the benefit of hindsight. The 2016 Nintendo NX leak, what the 2012 next-gen rumors actually predicted, the Wii U eShop list that turned out to be partly real.
- Rumor roundups. Curated, cited, third-party sourcing only. No “exclusive to Dual Pixels” claims unless we have first-hand evidence we can show.
What we don’t do
No paid placements in editorial. No undisclosed affiliate links inside reviews. No first-person fabrication — if a quote isn’t directly traceable to a public statement, it doesn’t run. Lead images, hero artwork, and original infographics are produced in-house or marked clearly when external.
History
Dual Pixels first published in 2011. The site went on hiatus in 2022. This is its post-relaunch incarnation, edited under new ownership, with editorial standards rewritten from scratch. Coverage of older events on the site appears in third-person voice and is presented as historical retrospective, not as reporting we conducted at the time.
Reach us
Press, corrections, or tips: see the Contact page. We do not buy stories, but we do read every email.